The Mysterious Traveller

George the Knight - pilot episode The grand opening of my blinds (for the first time in three weeks) was a short lived novelty as I am now preparing to animate episode II of George the Knight, forcing me to deny any source of natural light whatsoever. Thus completes my journey towards the dark side of animation. In relation to my puppets (i.e. George) I recall some enlightening words from a Chinese boy; ' First of all, keep him out of the light, he hates bright light, especially sunlight, it'll kill him'. Now, we all know what happened to Gizmo, and that is why the environment I create in my studio needs to stay absolute. Rule number one: you do not change anything on set, hence my compulsive necessity to block out the sun. Rule number two: you DO NOT talk about Fight Club. However, before I could begin animating today there was a slight incident with George. I speak for most animators when I describe this armature problem as possibly the most frustrating of all: the...

I recall a promise I made to you folks, or perhaps more of an incentive, so that you might keep reading my blog posts. I  was originally going to begin each post with a description of the dream I had the night before. Or a culmination of dream state highlights. It was also seen as a source of story telling fodder because my dreams are so fucked up and imaginative that some sort of tale could be taken from it. For example: the opening scene (or creature) from my dream last night. Spider moth ( biggus-dickus-arachniphobus) I mean, COME ON!!! Look at the size of this thing! This was flying towards my face at a frightful pace. So much so that when it reached impact I awoke in one of those 'jumping' fits as if I had fallen from a great height. And I hate spiders. So, of course, it took a considerable amount of bravery on my behalf to turn the light off again.  I don't even have the heart to divulge into the rest of the dream. It involves too much from my past (al...