The Mysterious Traveller

So after three nights of animating (due to no efficient method of blocking out natural light I chose to animate after nightfall for consistency; much like the Dark Knight of animation) and one outrageous nudge of the camera, taking me over twenty minutes to correct, I have finished the E4 esting animation clip. For something that is only ten seconds long it sure was a taxing process, but I am blaming the overly warm conditions of my room (being in the attic) as it seems to accommodate its own micro climate.  For those of you who are unsure what an 'esting' is then follow the link HERE  to see a series of short animated clips that make up that odd vacuum between advert and programme.  I must admit that I was not overly happy with the green screen element. The chromo key wasn't as crisp as I had hoped but that would be down to the lighting of the green screen background (which I don't think was consistent). I really need to get myself some dedolights and realise

With the At-Issue project (almost) coming to a close, it has been all Thunderbirds are go  in the art department. The sets are coming on amazingly, and some of the props are so bloody realistic that the only possibly explanation to the awesome detail is a shrink ray. The SkyArts documentary was aired a few weeks ago and all of us minions managed to get some face time (or in my case, bobble hat time). It was put together very well and really captured the essence of the studio in under 10 minutes. It was also very handy to finally put some visuals to the hard work we've all been doing, especially to those folk who have no idea what stop motion is. Speaking of which, Sarah and myself were asked to animate on the film itself, which was such a great feeling because Drew trusts us to have a go with Bart (the puppet). My first shot was a flow of coffee being poured over a bowl of corn flakes. This was only 24 frames but it took me so long to literally get into the 'flow' of anima