Wednesday, 8 April 2015

Episode Newzoids

It has recently sprung to the general public's attention that an upcoming show called Newzoids will soon be exploding onto our screens. This is the new satirical puppet show that I have been working on for the past six weeks; an ongoing production for a further six. In my previous post I mentioned a few brief titbits but, understandably, I couldn't reveal too much or else you may begin to read blog posts with a far more depressing and jobless content. But the cat is out of the bag folks! Over the past two weeks the studio has hosted several afternoons where journalists and writers from the likes of Radio Times and Daily Prophet have visited to take photographs and interview the team behind this new television programme. 

This can only mean that the marketing campaign is one hundred percent under way. And luckily for me and my outrageously lazy attitude this fine and sunny afternoon; I can copy and paste to my hearts content. I will, of course, comment a little further when the first episode is out (NEXT WEDNESDAY 15TH APRIL 9PM ITV *phew), but for now, enjoy the paparazzi pizza of articles and trailers alike. 

Katie Hopkins (eeuurgh), Ant, Dec, Paul Hollywood and Mary Berry

It was my good friend Rob Millard who first brought my attention to the media and one of the several articles that has been written. It was from the Daily Mail's Weekend magazine. Then my own mother found out and took great pride in starting work the following day with 'you know that new puppet show on ITV...' 

George Osborne and David Cameron

Anyway, it seems to be snowballing in the right direction. There is another Daily Mail article online; that's a bit interesting. But this one here, the Standard has got some really cool on-set photographs of the characters, take a gander at those. Katie Hopkins gets prostitute makeover for ITV's new sketch show Newzoids was a favourite title of mine, thank you Metro

In fact I have literally typed in Newzoids in to Google search and copied the URL links. Pfft, talk about lazy writing. And these articles are very similar, so don't read them all. I'm simply getting outrageously overexcited about all of this. It's my first television show that I would have seen from start to finish and hopefully get a name credit at the end! Only one more week to go...

Sunday, 15 March 2015

Episode II

I had a rather upsetting realisation this week, that I may not animate again. But this isn't due to lack of interest because that's not true, it's impossible. So I searched my feelings and came to the conclusion that it's simply down to a series of events that began with the clumsy uninstallation of Dragonframe from my laptop. I thought I was updating it, but unfortunately it was for the current version of the stop motion software, not my own, resulting in a jargon filled misunderstanding. Alas, I couldn't save her. She passed away into the Matrix and I was left with nought but a thumbnail upon my desktop that, upon double clicking, would mock me with the following words... I'm sorry Dave, I'm afraid I can't do that. I don't even know who Dave is!

Then I lost my Animation Toolkit armature during the final weeks of University. Whether there was a mix up with boxes or some sort of thievery I will never know, but it was a very good (albeit basic) piece of kit to continue with the animation principles.

Pffft so then I had to make my own wired armature and dress him, resulting in a shabby little ragamuffin by the name of George the Knight. He served me well but his movements were limited and when animating a simple walk cycle his posture slowly crippled with every step. Playback was like watching a dishevelling man timelapse.

It may have been this very set where I could have animated upon!

I got offered the chance to animate one of the puppets from Toby's Travelling Circus as I knew Barry Purves, the director of this children's television show. They were nearing the end of the shoot and a couple of sets were available to use. BUT I DIDN'T BECAUSE I AM A BLOODY FOOL. So that was that. I don't know. Maybe I just wasn't destined to animate, which was what one would assume you'd go into after completing an animation course. I enjoyed it, of course, but clearly I enjoyed 'making' things more. Working with props and sets is now my forté. So in that retrospect, I have pondered over the idea of turning part of the basement into a workshop for home projects. Hopefully I could even use part of it for animating! Perhaps it's not as glamorous as it sounds (or looks) as it would be a table with a lamp. But it's dark, out of the way and it is rather a nice lamp.

Now, I realise that I have been bantering about not animating, and I'm sure that you simply cannot get enough. But you're being greedy. So I'll show you a video that has inspired me (five years ago actually!) to animate more in my spare time. This is mainly down to the puppets. I am no armature expert or I'm not wallowing in money - so a good strong puppet to animate with will always be hard to come by. But Zombie Zombie by Simon Gesrel and Xavier Ehretsmann is a damn fine example of using your very own toys *cough* I mean, action figurines purchased merely for the use of their poseable bodies. Sheesh, who buys toys at our age huh? Ha, definitely not me.

I have been very lucky to be a part of the Newzoids team and production. Although it seems to be a slight taboo to make the comparison, it's still best described as a revamped Spitting Image. But there are people who worked on Spitting Image who now play major roles in the upcoming comedy puppet show. Whilst working on set during the shoot, amongst the directors, puppeteers and hilarious sound bytes, you get a general idea of the tone of the show... and good grief is this going to be a hoot!

Click here for the full article from The Guardian

And this series is released in a month! AND people have heard and read about it, which finally gives me solid evidence of something I've worked on. Hopefully I'll even have my first credit. I don't think it's registered how big of a show this could turn out to be. It's an ITV prime time piece of ass. So on Wednesday April 15th at 21:00... tune in and see what I've been up to for the past month (and continuing up to the end of May!). Which, incredibly, will tie in to my prediction of when the new Star Wars trailer will be released. So we're all happy bunnies.

Sunday, 25 January 2015

Episode I

So it's finally within our grasp folks; Star Wars episode VII is now on the horizon of 2015 and from what we've seen and heard, it has great potential. I mentioned a while ago about the plethora of films coming out this year, urging myself to set some money aside for the many cinema trips. Well that money has in fact gone. But on a new flat in Manchester! However, the cinemas up north seem to be falling for my permament marker smothered student card trick, expertly hiding the 2011 expiry date, which means I'm already saving money! And a £1.30 discount each time is nothing to be shunned. Although, I have been shunned once by the wise guy behind the Odeon desk in Wrexham, to which I responded, 'oh! How strange, I hadn't noticed that before.' I later commandeered a BoxTrolls cardboard cut out to balance out the injustice. 

It was really nice to see the BoxTrolls nominated for best animation of 2014. Always a victory when  a stop motion film is celebrated and does well at the box (troll) office, because you get the feeling that it's these moments of recognition that sustain the stop motion industry. There was a bit of a snub and hullabaloo within this category (or out of it, I should say) with the exclusion of The Lego Movie. Nobody seems to know the reason for this, because it certainly constitutes as an animated feature with only a small percentage of live action. Animated films need to include at least 75% animation to make it an Oscar contender and The Lego Movie absolutely falls into this category. So why isn't everything awesome? My reaction... HMMPH! Somebody else's reaction? Check out this paper baton waving chap...

So credit where credits due; the Boxtrolls was pretty good and, as I said, it puts stop motion on the map. But I'll tell you this for free (put your money away); Altrincham is the map (and now twinned with Portland, Oregon!). The animation and puppet industry is full on thriving with so many projects in the pipeline I couldn't even tell you. And I can't actually tell you!

So I'll sidestep for a moment. Below is a list of the films I plan on seeing this year, and these are only the highly anticipated ones that have been marketed years in advance; I haven't even considered other release dates. But lets put this into perspective - on average it's about £9. If I intend to see these ten films then we're looking at a lot of pocket money!
  1. Star Wars Episode VII
  2. Avengers Age of Ultron
  3. Antman
  4. Spectre (James Bond)
  5. Jurassic World
  6. The Peanuts Movie
  7. Mad Max: Fury Road
  8. Mission Impossible 5
  9. Inside Out
  10. The Hateful Eight
There are obviously many more, but these films stuck out for me personally, and as they were announced two years ago I've had chance to reforge my student card in expert fashion. I also feel that these films ought to be seen on the big screen, so I intend to not miss the majority of them. Heck, I would even boycott my own birthday party to see Episode VII. That's no lie!

I am actually looking forward to the Peanuts Movie more than most (but not Star Wars!), particularly because the animation style looks so intriguing. I know it's CG but the aesthetics are very beautiful and in keeping with the original 2D comic strip (not that it was important to do so; but it's a nice tip of the hat).

Now, the animation in my neck of the woods is a completely different kettle of fish. The stop motion production of this series is rather epic and has the same visual quality of what you'd expect to see in feature length films. The puppets are made at Mackinnon and Saunders (say no more) and the animators have delivered some tip top performances with them. Perhaps I shouldn't mention this, but at the expense of my dignity and supposed professionalism I digress. One fateful day I made a prop before Christmas that would then be fixed upon the head of a puppet, and at the time it needed to be made lickety split ready for shooting. I mish-mashed various materials together, sprayed sections and glued it all together, haphazardly I might add, and skedaddled with haste to the studio. Ah, lunch time!

Anyway, the shoot was actually delayed until the following Monday. But unbeknownst to me, this gave ample time for some superglue to seep down from the prop and onto the puppets resin head. Oh good grief! However, I was away for the following Monday and Tuesday so I had subsequently avoided the wrath of the titans and come hump day it was safe to emerge. I had never felt like such a bloody plonker. This was most certainly amateur hour for me.


There was a bit of a blast from the past recently; I was tagged in a photograph from the Strange Hill High days of which I worked on from 2013. This was from the Strange Hill magazine that is out at the moment. It generously promotes my jelly making skills, which is always a bonus in this industry!

I haven't animated for years. In fact, the last bit of animating I did was the intro to my show reel (above; which is in much need of a revamp). But I have kept up with my illustrating and painting. That was the great  thing with my stop motion course at University - it opened doors to the industry as a whole but not necessarily just the animation. I've become more of a model maker I guess, with studio experience too, but hopefully I could set up an animation studio (of sorts) in the basement of our new flat and get back in to it. It's dry, spacious and very dark - ideal for animating. Or ideal for a man-cave? I need to get my priorities right on this one. Or permission from Lucy!

Friday, 2 January 2015

Episode VII

When it comes down to it, I tend to blog about animation and the industry that I am currently work in. But everybody loves a tangent.  This blog was originally meant as a guide (albeit a terribly scruffy one) to map the journey from graduation to 'real life' and the job opportunities that one might get via the animation route. There was no intention to preach or instruct graduates that this was the way, but to merely show that I had found a way (very much like the dinosaurs on Isla Nublar). So really, I don't need to blog about anything now. 

We all know that just isn't true. I like writing bollocks too much to cease all this tomfoolery. Of course, I am still working on side projects (something that all creative folk ought to be doing) and taking my sweet ass time in completing any of them. The most ongoing of all is the model I have been constructing based on a Quentin Blake illustration, taken from my favourite Roald Dahl book The Giraffe and the Pelly and Me. Here is the current status of things...

It is conceivable to finish this in a day or two. But whether it's my perfectionist attitude to sculpting or my incredible skills of procrastination, it has become clear that something is wrong with me. Super sculpey is brilliant though isn't it? I think I prefer it to Milliput simply because it doesn't bloody crumble when you're shaping it. I think they're both as durable as each other, but I guess it's self preference at the end of the day. So hopefully I can finish sculpting the boy and the monkey lickety split and end this lolly-gagging. I wish people would use more words like that. The strange thing is, they seem to roll off of my tongue... like pandemonium or fan-dabby-dosey. 

So this is Christmas. And what have we done? Well check these out; I've made some name places for the merry feast, so everyone will know where to stick their keister. The gathering is at my Aunty Vals this year and I wanted to do my bit for the day. Again, I have used sculpey for the Christmas critters and attached them to a wooden block alongside some authentic B&M Homestore holly leaves. A very simple idea which didn't take too long (oh god *pants profusely*).

Oh and the painting of Wolverine is still for sale if you want him. Fifty thousand, no less.

One of my favourite 'comedy' stop motion series at the moment is Dinosaur Office. The episodes are short, sweet and full of prehistoric slapstick. The style of crayola sets and props gives less focus on the backgrounds and more on the hilarious animation of the bulbous eyed cast. This is the type of thing I've tried in the past for practising my animation, something simple with focus on the character and not the surroundings. Unfortunately for me, I am about two years out of practice!

Sunday, 30 November 2014

Electric Elkboy (continued some more...)

It was understandable for Chester to be concerned about his masters optimistic views on transport, especially due to the absolute lack of any. They needed to get to London, and yet without the knowledge of their whereabouts it would prove to be an interesting point to raise. Chester rolled forward inquisitively, 'may I press you for a solution sir?' 

The Elkboy turned handsomely around and smiled. 'My dear Chester. I have indeed resolved our little pickle, which was, admittedly, something I should have thought of much earlier. You may want to stand, or erm, roll back a tadge my friend.'

Chester bleeped and followed the order. He was used to these elaborate schemes that the Elkboy concocted, becoming continuously intrigued and entertained. And with the Elkboy currently attempting a handstand, it looked like this would be a good one. 

Sure enough, in a vertical manoeuvre, the Electric Elkboy had lifted his body up from the ground with his feet in the air. Certainly an unorthodox posture for a superhero, but he proceeded nonetheless. With eyes tightly closed, he concentrated all his power toward the lightening bolt upon his brow. The dusty terrain surrounding them trembled and shook, groaning with anticipation as the lightning bolt began to glow brighter. Then the Elkboy opened his eyes and looked to the horizon, raising his voice and bellowed into the expanse before him, 'POLAR BEASTS OF THE NORTH I CHOOSE YOU!' A beam of light shot out from the lightning bolt and penetrated the ground beneath him. For a moment there was a pang of utter silence... and then a sonic boom of awesomeness swept across the land. The Elkboy closed his eyes once more, bent his elbows and flipped himself into the air to finally land on his two feet. Most elegantly done, thought the author of this chapter. 

With the silence returned, the two heroes stood side by side as the dust settled. Chester, still full of unanswered questions, bleeped as scrupulously close to a sigh as robotically possible. 'Worry not, my young padawan,' the Elkboy crooned. 'Remember what Treebeard said to the Hobbits; 'don't be hasty'. And we all know what happened after that, don't we?
   'We do sir?'
The Elkboy nodded, 'of course. The trees only bloody won Chester! And carrying the Hobbits at the same time! Now that is TREE-mendous!' 
   'Sir, I am always supportive of your... puns, but your love of the Halflings leaf has clearly slowed your mind.'
   'Points for the quote, points deducted for sounding so negative. I have summoned a little bit of nature to come and carry us to London. Now, they may not be trees, but they sure as hell get the job done!'
   'Very good sir, I never doubted you for a second. Wonderful.' 

As soon as Chester settled down to wait he felt the ground tremble once more. The dust returned but far upon the horizon, where a trail of cloud grew larger and closer towards them. The vibrations felt more like a stampede than an earthquake; it was alive, moving, and hoofs could soon be heard. Then out of the dust cloud bore the head of a proud beast, antlers spurring through the mist, leading a herd of at least twenty more of these magnificent creatures. They were elk, of course. And the Electric Elkboy had called to them from across the globe, for that was the power that he held within his lightning bolt of truth. 

The Elkboy strode up to the herd and held aloft his hand. The thundering elk slowed immediately to a canter and stopped before him, their heavy breath and gentle snorting lingering in the air. The Elkboy placed his hand upon the head of the lead elk and murmured in a strange tongue that Chester had yet to hear from his master, but it was full of calm and gratitude. The Elkboy turned to Chester, 'they have travelled many miles,' he said. 'But they are strong and courageous. I have no doubt that within the hour we shall be riding for London at great speed. First we need to harness them a little, and find a cosy spot for you and I.'
   'As gallant as your beasts of burden are,' Chester queried. 'Are you sure that they know which direction to go?'
   'Of course they do Chester,' scoffed the Elkboy. 'But I'm rather surprised that with all the hi-tech malarkey I installed into your body, that you don't know which direction to go? Do you still have the Tommy-Tommy Sat-Nav function?'
   'Unfortunately, the missile attack on HQ contained a mild EMP and wiped out many of the systems. You were oblivious to this, sir, as you gallivanted off on your... kite...'
   'Do not underestimate the power of the kite Chester!' interrupted the Elkboy. 'It is fully equipped with...'
   '...So I'm afraid that some of my systems were coincidentally tampered with,' continued Chester. 'I adjusted all the power I had to my boosters so as to follow you.'
   'Very well,' said the Elkboy. 'And I am thankful that you did. We shall, however, put all our faith into these glorious steeds and their navigational skills. Now, could you spare a little power to your toboggan settings?' 
   Chester looked perplexed, even for an expressionless droid. 'My what settings?'
   'Search your network old boy, you'll find them,' said the Elkboy, full of confidence. He was busy choreographing the elk into single file and using the cable from the (temporarily unsuccessful) kite to harness them together. If only Santa could see him now, he thought. And with that thought in mind he directed Chester to the back of the herd. 
   'Chester my trusted droid,' he announced proudly. 'You are to become an imperative part of this convoy. ACTIVATE TOBOGGAN SETTINGS!'

Suddenly, Chester's wheels sprang up and folded neatly beneath him and extending in their stead appeared a pair of well carved, well varnished toboggan rungs. As the compartment doors closed, firmly locking the rungs into place, another extension lowered from the droids back. This would soon become the step for the Electric Elkboy to stand upon; for Chester had transformed in to nothing more and nothing less than a fine looking sleigh. 

'Haha!' laughed the Elkboy. 'How d'ya like them apples, Chester?!' 
   'I feel positively mutilated, sir,' the droid replied. 'Are there any other settings that I have yet to discover with an equal level of disgruntled surprise?'
   'Oh come on Chester... this is going to be bloody amazing. Now can you reach the cable and lock it into place? I need to grab my bag.' Chester did as he was told, accepting that his masters excitement was beyond negotiable.
    After some final adjustments, all was ready; the elk were stamping their hooves, the Elkboy had harnessed himself to Chester's body and the cables were taught with the eagerness of departure. All they needed was the call of the wild; that loud eccentric announcement Chester would expect his master to call out to nobody in particular. And sure enough it came...


Chester couldn't help but let his circuit board smile at his masters optimistic views on transport, especially due to the absolute style in which they would travel. And away they went.

To be continued...